Thursday, 23 August 2012

Pressure Testing & Internal Martial Arts


It is clear that the general consensus among the martial artists of the world is that martial arts like tai chi are mainly for health and have lost any connection with real combat. Although this may be the case in many, many instances the Internal arts were and are actually based in the idea of ‘testing’. But this does not only mean getting in a ring and duking it out! There is a huge amount of testing in the Internal Martial Arts that may surprise most people with its vigour and rigours attention to detail.

Pressure testing the Body

One of the earliest forms of testing that the Internal Martial artist undertakes is the pressure testing of their body. This means both its ability to maintain internal principles under load (positional and external) and under combative pressure.

There are a vast array of ‘testing’ methods for the body in Internal Martial Arts, From pushing hands in Taiji to simply holding postures for long periods of time to work out alignment and muscle usage. But the basics of testing are these:
  • Find where tension builds either under load or from static holds so that you can re-align or relax the area and release the tension.
  •  Find out how breath and internal pressures are affected under load
  • Find gaps or ‘sticking points’ during dynamic movement
  • Find movement instability of problems from load or pressure.

These points, once worked out can prove invaluable for the next type of testing that we do in the IMAs.

Pressure Testing the Principles & Skill sets

After we have refined the body and tested it against force we are able to begin pressure testing the principles we train in order to become combatively viable.

This process is a gradual increase of test, adjust and retest but can often start with ‘being thrown in at the deep end’ to give an honest impression of how the mind is acting when conscious control is lost.

As we layer up the Testing of our combative skill set we can begin to test refine and retest the following:

  • Movement fluidity
  • Listening skills
  • Reaction and action capabilities
  • Our ability to deal with large volumes of force
  • Power generation and Power redirection.
  • Ability to change

Both of these testing Phases are then fed into the next phase of IMA pressure testing

Pressure testing the mental Capacity

This is one of the most interesting phases of pressure testing in that it aims to bring out the nature competency (or incompetency) of the individual through focuses but randomised training methods.

From Free sparring to Wrestling to Free Push hands there are many training methods that help to really put the randomised element into the testing of the two above phases.

During this phase there are many layers and ways of maintaining a randomised movement dynamic while still staying within the boundaries of a specific drill. For instance, in a free push hands session you can move with the aim of touching the chest and not, as is common, to push the other guy. This changes the force dynamic and can result in real time movement that will help you or your coach to find deficiencies.

It is also in this phase that people can go off out to other arts and test their skill set and body against other arts and styles.

Return to the First Phase

Once you have been through these phases you can then return back to the first phase, refining your body skill specifically in line with the deficiencies that were highlighted in the preceding phases.
As you can see, there is a good structure to testing ones capability in the IMAs. 

Taking the centre Idea 2 – finding the line through



Following on from the last post on Leading the centre i thought i would through some light onto the subject of projecting the opponents centre or ‘finding the line through’. This is a great skill to have and can create very different striking sensation as well as very useful throwing and take down skills.

What is the ‘line through’.

When i say finding the line through what i mean is the line from point of contact through the structure that disrupts the balance with minimal appreciable effort. Here we are not looking for the opponent to ‘form up’ behind this pressure, but for them to be unable to create any resistance back through that line.

A simple example.
Get your partner to stand with legs shoulder width and locked. Place your fist on their breast bone and gently push. This line is unopposed and can affect their balance with ease and minimal input of force.

Obviously that is just to give an idea, and when applied against a structure with dynamic movement and changing support positions the skill becomes more difficult and refined.

Why find the line through

Finding the line through the opponent’s structure is extremely useful for striking and especially throwing or taking an opponent down. The Line through essentially represents a past of least resistance into the internal body structures (organs, bones etc). For striking this is a very useful idea for obvious reasons!

When it comes to throwing the line through will aid the direction of off balancing (see three pillars of throwing article). You will be able to effect the opponents position with minimal effort and maximum efficiency of direction (see defining martial arts article)

Some exercises
1 - The line through a stable structure
Here we get our partner to stand in the strongest stance they can and try to find the line through.
  • Ask your partner to take a strong stance
  • Place your hand or fist on the partner approaching him from the front
  • Push straight ahead with a consistant pressure. Not enough to make him move.
  • Maintaining the same pressure slowly adjust the direction and angle of your pushing force until the partner looses balance. It is VERY important that you dont ‘try’ to push them over but simply let the line find the best route.

Variation –
Your partner maintains doesn’t move their feet but tries to escape your pressure as you constantly change to find the line in a moving structure.

2- Line through a moving structure.
Here the partner is in motion using whatever footwork they like as you try to find the line through.
  • Your partner starts from 4 – 6 feet away and walks towards you.
  • You place your hand or fist on them and apply pressure to the line through
  • The partner should be stopped, pushed back or diverted in their direction.

NOTE: it is important your partner does not try to use their arms to block yours or similar

Variation –
Your partner uses combative footwork as do you, still he is not utilising his arms and your simply applying a force to find the line through

In both of these training methods you should not be ‘muscling’ though the opponent, it should feel like you hardly push at all but the effect is significant. When this happens you have found the ‘line through’.

Coaching People


Coaching people
As a Martial Arts coach, sensei, shihan or Sifu it is common place to apply a subscribed syllabus of techniques methods or training to your school or group and teach people within the pre determined methods of the tradition. But is this enough? Does it fulfil your responsibilities as a Coach / Teacher but more importantly does it provide the solutions that the individual might require.

Of course structure is useful to a degree in teaching martial arts. With a set goal of training we can work towards a obtaining a certain skill set or method over time. However, especially in the early stages, the idea of a ‘one size fits all’ solution to the movement or structure problems of the individual falls down.

It is in this early stage that your MA coach should take time to specifically recognise and rehabilitate and movement or postural deficiencies so that your body is a capable container for the knowledge and methods it is about to receive.

It is not enough for everyone in the group to stand in horse stance for 20 minutes if 20% of those people cant stand in horse stance properly due to varying postural or structural problems.

In my opinion the Martial Arts Coach should cater for the following when he takes on the responsibility of teaching people his method.
  • Recognise & rehabilitate movement or postural deficiencies specific to the individual
  •  Provide a framework for the individual to use to advance their overall health.
  • Provide a ‘Box Free’ Learning Environment and Philosophy.
  • Provide practical, proven and honest Combative training methods.


As someone who came from Japanese arts with a lot of structure and a vast catalogue of techniques to the Chinese Arts with a few principles and virtually no Hierarchy and structure I can certainly see the rational and reasons for both. But which would I suggest as best?

It’s an interesting question and personally I don’t think that either really nail the coaching process as I experienced them.

  1. The danger with structure is that the individual never gets the underlying simplicity behind all the complexity.
  2. The danger with Freedom is that the individual never grasps the complexity behind the simplicity.


It is my opinion as a coach that we should be looking at each individual and giving them a specific exercise and skill set initially to work out any problems they may have. These methods can come from anywhere provided they are right for that individual ... they can be Tai chi, Xing Yi, Ba Gua, Modern Cardio training, even Weight training ... if thats what the individual needs.

After this point training structure can be picked up and utilised to provide specific combat skills or health training.

Does your coach give you specifically what you need? That is the question every martial arts student has to ask themselves honestly. Forget the colour belt round their waist, forget how many fights they have had or the reputation that follows them, look honestly at the present situation you are in and see if you get what you need.

Wednesday, 22 August 2012

Spatial Awareness

Sorry its been a while since i have posted any articles. There are some in the pipeline on:

- More on efficiency
- The role of a Martial Arts Coach
- Taking the centre continued
- Fear & stress
- Pressure testing the Internal Arts

.... so stay tuned!

In the meantime i thought i would post this video of some lovely Capoera, which i think displays some excellent spatial recognition and awareness skills.


Monday, 13 August 2012

What are internal arts

Hi all,

thought i would put together a short video clip of some of the foremost Internal Martial Artists in the world as an overview for people who don't have context for how some Internal Artists train.

This is meant as a tribute to the featured adepts and in no way am i affiliated to them.


Hope you enjoy guys.

Best regards
Chris